10 Secrets About Hindi lyrics You Can Learn From TV

Romance movies are timeless. Everyone has his or her favorite romance movie. Most of the time, the romance movies serve a purpose, mostly, as an escapism. One thing that these movies do is that they keep the idea of romance alive. No matter how happy or tragic the ending is, romance movies are loved by its viewers for entertaining them and keeping their dream alive. ™

It begs a question.. what makes a great romance movie? There are some actors and actresses who are great for romance movies and some who do not. There are some stories that are simply remarkable and there are some stories that make you wonder who made it the first place. I believe that there are at least four criteria of a great romantic movie

1. Likability of the Leads

First and foremost, the leads in the movie must be 'likable', meaning that the target audience love them and believe that they are lovers or can be lovers in real life. Which means that they must have chemistry between them. When the chemistry is there, it makes the interactions in the movie likable and believable. And it is important for the audience to like the leads for them to 'get' the movie.

This factor made Meg Ryan, the romantic comedy queen in late 80s / early 90s. Her two major performance in 'When Harry Meet Sally' and 'Sleepless In Seattle', paired with two great leading men, Billy Crystal and Tom Hanks, was a major tour de force. In both movies, she 'clicked' with both of them, which gave the movies critical and commercial success.

2. Simple And Clear Storyline

Another important criteria is the storyline. It has to be simple and clear, so that the viewer can understand what is going on in the movie, which means, who are the parties in love and what is the situation. Romance movies are not good grounds to do plot twist and turns as it will turn off the viewers as it will interfere with the viewers enjoyment of the romance. An example of good storyline was the movie adaptation of Jane Austen's Pride and Prejudice, in 2005. The movie did an excellent job in portraying the romance of Mr. Darcy and Elizabeth Darcy, showing the 'games' that both played with each other till they eventually fell in love in the end.

3. Movie Location / Background

The role of the movie location and background is to support and enhance the romance movie. It is not very important but it does play a role. The background refers to the cast that surrounds the leads, for example, family members or office mate. The movie location refers where the movie is situated. Usually, it is the movie locations that spice up the romance. A good example of the movie background is the cast of Four Weddings and a Funeral. In the movie, Charles' set of eclectic friends complimented his 'adventures' in pursuing Carrie. A good example of movie location would be the location of Venice and Positano in Only You, starring Marisa Tomei and Robert Downey, where it made the romance in the movie magical, with glorious location scenes, Italian language and songs.

4. Excellent Movie Song / Soundtrack

And finally, the killer criteria would be the song or soundtrack of the movie, as it enhances and reminds the viewer of the romance movie experience. Usually, it would be a pop song sung by the popular artist and it becomes a chart topper. An obvious example would be the song "My Heart Will Go On" sung by Celine Dion from the movie Titanic. The song functions as a killer hook that drives the success of the movie and does help the commercial success of the movie soundtrack and movie itself. In the movie, the song typically appears either as a short music clip or becomes an instrumental background.

Well, those are the four criteria that I think makes a great romance movie. There might be others but these are the four main criteria and when all four criteria appear in a romance movie, it is almost certain that Lyrics in Punjabi the movie becomes a commercial and critical hit.

Every year we notice too many Hindi movies hit the cinema halls and it's quite difficult to find a Hindi movie which is being made without songs. Songs are integral to any Hindi movie. The tradition which was long ago started is still considered to be the essential element of a Hindi cinema. There are many movies which become hit not because of its superiority in relation to scripts or the marvelous acting of actors - but it's because of music - which was created with good and catchy lyrics. We assume all songs to have the effect of lyrics - otherwise it's difficult for a common man to decipher through musical notes which have no lyrics.

Many Bollywood movie hindi lyricist were Ghazal poets and they turn to Bollywood for fame and good career prospects. They were very good with words and that helped them to have a strong sense of music. As a result there was a mark of quality in the lyrics which were churned out in yesteryears.

Writing Hindi lyrics is a two way process:

A, the musician writes a musical tune or he creates a track and after refining it he sung it for the lyricist in 'laa, laa, naa, naa....type of dhun/tune format. This gives the lyricist the idea to understand the hidden words forming its tune. And, once he understands the positions of words - he starts writing. It's called writing to a tune. Syllabe count is an essential element. The poet must count the each note of the tune with exact sounding words

B, in some cases the lyricist already has some poems which he recites and the music director starts humming it in some sort of tune. In this type of lyrics for music - the lyrics may change its actual metaphor to a large extent in some cases or in some cases it's kept intact - it depends on how well the written lyrics are adaptable to a some sort of worthy tune.

Format:

The mukhda first followed with an antra is the popular format of all hindi lyrics. We can say that it's actually the format of musical notes which are created in mukhda and antra style which is followed by the lyrics writers to mingle with notes easily.

Mukhda is the first part of the song and antra is the second part of songs. Generally it's divided into three parts the first being the mukhda and then followed by 2 antra's. every antra calls back the mukhda with its last line which is written in rhyme with the mukhda's any particular line which music director picks up to integrate it with antra's last line. Generally it's the last line of the mukhda. But now a days it's not strictly followed.

Then what it takes to write a song - it's practice. Knowing how words fits a particular tune and knowing how you can be able to justify the tune by bringing the correct interpretation of it in writing. If you understand this - it's just a matter of penning your lyrics with the tune in a smooth flow - no matter weather it's a antra or mukhda - where ever the music director wishes to have the lines to be written to the tune the lyricist can do that once he develops this basic understanding. But, in a scrip based lyrics writing - the lyrics writer needs to visualize very creatively the words which can be in line with script. This is a very tough job and demands lot of creativity apart from having technical skills of writing lyrics.